Make Money with your own Photography Business

I am writing this article in December 2008. In the economic crises we are now facing, it can be very difficult to make enough money to pay the bills. Many people are being laid off, and finding work is becoming more and more difficult. One way is to start your own home based photography business using your digital camera. If you own a good quality digital camera, you can start your own home photography business. Wedding Photography is an approx. $5 Billion per year industry.

We currently face some of the most difficult economic times in our history. It is becoming more important than ever that people find a way to make an extra income at home. Many online business opportunities usually make a lot of money for the owners of the site, but it can be very difficult for anyone else to make a part time income. As a photographer, you will be your own boss. You will have a great opportunity to make a real income. And with so many people losing their jobs, having a way to make an income at home is can be a true blessing

Using your digital camera you can make a very good income at home. If you enjoy taking pictures and sharing them with friends and family, then you might consider taking wedding photos on weekends. Wedding photography can be a very lucrative part time or full time career. In the United State alone, the Wedding Photography industry accounts for approx., $5 Billion per year. That's a very large market. And with some know how and a decent digital camera, you can be a part of this industry. All you need is a course that includes business forms, technical discussions, sample ads and business cards, and even tips on using Adobe Photoshop, Adobe Photoshop Lightroom and Apple's Aperture.

In this article, I will explain some technical considerations of picture taking. Available light photography and many people often have questions about the aperture and how to use it effectively.

Available light photography is pretty much as the term says. You take photos using just the available light in the scene. You do not add any light with either a flash or other light sources. However, by using a reflector, you can redirect, or model, the light to give a more pleasing and natural effect. In image above, you will see a sample photo, of a scene from a wedding which does not use a flash.

If you look carefully at the photo, you will notice some very obvious things about the light. Overall, the light is very even right across the whole image, including the background of the image. This is because the light is bouncing off the walls of the church and lighting the whole scene. A flash on the other hand, will only light a small part of the scene, usually just the bride. The problem with flash is that it will product a lot of hard shadows both on the bride and dress, and also on the background. With flash, you would normally see a big shadow of the bride on the wall in the background. By using available light, you eliminate this shadow. Also, the shadows on the brides face are also very soft.

Now, the biggest problem with available light photography, is that the exposures are usually much longer, and so there is more opportunity for the subjects to move a create a blurred image, thus negating all the advantages. So, you need to let people know that this is a special lighting effect and that they need to stay very still for the exposure. The image shown in the blog, had a shutter speed of a quarter of a second. Photographically speaking, that is a long time. Most exposures will be in the order of a hundredth of a second or more, which will freeze the movement of most subjects (maybe not very active children) and give you a nice pleasing photo as a result.

So, available light photography will consider two aspects of the camera to make a correct exposure. One is, as we mentioned, the shutter speed, and the other of course, is the aperture.

Lets take a look at how a correct exposure works. The shutter speed, in a wedding for instance, will freeze the movement of the subjects, so that the images appear sharp and pleasing to the eye. So, the shutter speed determines how long the light affects the sensor on the camera, and the aperture affects how much light hits the sensor. So the combination of how much light hits the sensor for how long determines by the shutter speed, gives us a correct exposure.

The secondary effects of the shutter speed is the amount of movement shown on the image. A fast shutter speed will show no movement, and a slow shutter speed will cause a blur of the image, either from the movement of the subject or by not holding the camera perfectly steady.

The secondary effect of the aperture is how much of the image is in sharp focus. With either shutter speed or aperture, a lot of people get confused about the numbers involved. The aperture shown on a camera lens is usually shown as f5.6 or f8 etc. The confusing part for many photographers, is that the larger the f number, the smaller the lens opening. But do not let the numbers confuse you. The numbers are only written this way because of space constraints. The number is really a fraction, and every number technically should be written with a one on top of the number. So, f8 is really f and 1 over 8. And f16 is really f 1 over 16, or a sixteenth. What this means is that each stop downs, halves the amount of light coming through the lens.

The effect of closing down the aperture this way, is that the smaller the aperture, the larger the depth of field. In other words, the smaller the aperture, more of the image will appear in focus. So, when shooting portraits, we usually want a shallow depth of field, so that the background does not affect the appearance of the subject. But as we adjust the aperture, by letting more or less light reach the sensor, we have to adjust the shutter speed to allow the light to be on the sensor for a longer or shorter period to make a correct exposure.

Making Money with Wedding Photography

I always try to keep everything light and fun for the bride and groom, as well as the bridal party. You will be able to get some great shots by making sure that they have fun at the same time as you are setting up the shots and taking the photos. The best shots are often the more relaxed, informal ones. You can make quite a lot of money on these shots, as everyone in the shot will want a copy, as well as parents and grandparents.

Have your friends have told you how good your photography is? Are the prints you create appreciated by friends and family? Have they have suggested that you start your own wedding photography studio? If so, you may be asking what is your next step? Well, with a little help, you can get started in your very own business.

You may have been taking photos of friends and family for a number of years now, and everyone makes the comment that you should start your own business. Sounds great, but where do you start. Well, there is a great eCourse with everything you need to get started. This article, covers just a couple of things that you will need to be aware of. The course concentrates on wedding photography, however, the techniques apply to any type of photography. It’s just that with wedding photography, you have a much better chance of making a good part or full time income, without having to go through years of study and research. Many great photographers began their careers by shooting weddings for friends and family, on a part time basis.

It is possible that you can make a lot of money shooting weddings. Many of the top professional photographers began their careers shooting weddings either for themselves or for a studio. Doing it for yourself of course, means that you get to keep all the money. But, please note that as the photographer, you will often be required to act as the wedding coordinator as well, as these days, most brides cannot afford one. And if there is no wedding coordinator, then it is usually the wedding photographer who will make sure everyone is where they should be most of the time. So, a downloadable training course will help in this aspect also, as it covers the entire event in detail. As the wedding photographer, you need to make sure that the bride and groom follow your directions. Make them aware that it is in their interest to follow your directions because they want a whole lot of great looking photos for their album.

As you prepare for an event, you need to make sure that all your equipment is ready, and that you have everything you need for the days event. If possible, be sure to have a series of back-ups, a spare camera body, a spare lens and a spare flash in case any of your prime units fails. There is no excuse for the photographer to have to come up to the bride, and try to explain that your camera just broke, and you cannot take any more photos. Again, a death sentence. Your back-up units do not need to be identical to your prime units, but they should be at least close to the same specs. The camera needs to be able to take images at the same resolution as your prime camera, otherwise there will be a noticeable difference in quality of the final prints. The flash unit can be a smaller unit with a slightly lower light output, but if it happens, then this unit will have to do quite a bit of work, so be careful. Make sure that the spare flash is fully charged before taking photos. I have seen a number of photographers get excited about taking some pictures at an event, and they will often just fire away, taking picture after picture, not realizing that the flash is not fully charged for each picture, and so, most of the resulting images will have serious problems, that may not be able to be recovered on the computer. So, make sure that you have good back-up equipment.

Are you are ready to take the next step? Would you like to start your own photography business? Then you will find that the wedding photography course is designed to get you off to a great start. Everything is in this course, including all the forms you will need. They are provided as a computer file that you can change and edit so you can create your very own designs, with your own information. This alone will help you and your business look very professional and save you a lot of time and money, so you can get bookings and start making some money with your very own wedding photography business.

Learn Wedding Photography - Your Portfolio

In order to win business from prospective clients, you will, at some point, have to show them images you have taken from past events. Even if you have never been the designated photographer at a wedding, you will still need to be able to show your skills and creativity in order to for you to be hired. Go to a friends wedding and take some photos, or ask the bride if you can take some shots of her in return for a free print.

Showing sample pictures you have taken is probably the best way to get an order for a wedding event. There are of course, many ways to show your pictures, for instance, on a web page or in an album with printed images to show prospective clients.

But in this day and age of technology, there is another way to show your images. One that will allow you to have you album with you at all times. One that will show off your pictures in all their beautiful color. One that allows your potential client to see your work in glorious detail. I am referring to portable devices with high resolution color LCD screens.

An ideal device for the purpose is the Apple iPhone or iPod Touch. In this article, I will use the term iPhone to refer to both devices. The beauty of this device, is that in most cases, you need to have a cell phone with you so you can make and receive calls, especially from clients or prospective clients. But at any time, you can show images to people you meet. The iPhone is so portable and functional, it allows you to create many digital albums. You can have an album of wedding images, or you can split wedding photos into multiple albums, and create albums of themes. For instance, a series of brides in outdoor locations. Or sunsets, at the church etc. The iPhone is very flexible, and you can set it up in so many different ways.

You can also have a number of albums that show off images that you take for your own enjoyment. Such as landscapes, or portraits of family groups. Again, having all these albums on one device, means that you can tailor a presentation to just about anyone you meet, for almost any occasion.

And do not forget, you can use it to promote yourself as a product or advertising photographer. Whenever you meet people, if they are in business for themselves, you may have an opportunity to promote your services for their business. They may need some shots of their building for a promotion, or the products they sell for advertising, or for marketing materials, such as flyers or postcards.

With a device such as the iPhone, you will always be ready to promote yourself and your services. You may have a website, but you will not always be at a computer with an internet connection. And sometimes, you may not be able to access your website from some computers, especially in corporate settings, where many sites are blocked if it is not within the corporate web intranet. And although you can always access the web with your iPhone wherever you are, it is always easier to use the iPhone to display your images, quickly and easily.

And of course, if you use these types of devices, you will be able to take advantage of the many other features they provide. You will always have access to email, so if anyone is trying to reply to you about a booking, you can do so while on the road at all times. If you need to send a quote, you can do so easily. If you need to check your calendar for upcoming appointments or events, you can easily check these items. You may even come across an interesting location for photography, and so you can take a photo and place it into your database, always able to refer back to the location at any time. As well, as being able to show the location to a prospective client as a potential place for photos on the important day. You will also have your contact database, so you can make a call to your prospective clients and follow up on any questions they may have. In short, you will always be ready for any situation.

And lastly, but not always, least, you can play a game or two when you are waiting or perhaps enjoying a coffee at your favorite café. And if you have not looked at some of the games and other applications available for the iPhone and iPod touch, you will be amazed at the variety of applications available, starting from free to ten dollars. But, I digress. Never let it be said that I would encourage your use of these devices for anything other than serious business (yeah, right)!

Background Check-Be Sure You Check The Background First

Whenever you are taking photos, either for a big event, like a wedding, or just the family at the beach, you need to take notice of the surrondings. Very often, you will see photos taken by people that would have been very good, but something got in the way, like something in the background or the camera was not held straight, or some other small thing that could have been avoided, but now has lead to a picture that is less than acceptable.

Apart from making sure the camera is held straight, and that the lens cap is off, and your finger is not in front of the lens, the first thing you should look at is the background. This is where most problems occur because the photographer is looking at the subject, not the background. If you do not check the background first, you could end up with tress and other things growing out of the heads of the subjects or worse.

With the advent of digital cameras, it is an easy task to check that the photo looks good, at least on the small screen of the camera. You can tell if there are problems and make any necessary corrections on the spot. Be careful not to get caught up in the emotion, and forget to check these things. Just remember, every time you hold the camera up to take a photo, look at the background, then the subjects, then take the photo.

Also, you need to be aware of where the sun is when taking photos outdoors. If the sun is behind the subjects, it can be very easy for the light sensor in the camera to take an exposure that is adjusting for the sun rather than your subjects. Your photos will be very dark as a result, although you will get a lovely exposure of the sun. And, be very careful if you are pointing the camera in the direction of the sun, as the sensor could be damaged if exposed to such a bright light for too long.

If you are taking photos for a bride and groom, then this information becomes even more critical. In fact, if you are taking photos for anyone who is paying you, then you need to make sure each and every photo is perfect. If you do not plan every photo, you leave yourself open to failure. That means a nice enjoyable day taking photos and making some money to boot, becomes your worst nightmare. Remember, plan to succeed and take care of the small details, and you will have fun and make some money along the way.

If you do find yourself taking photos at a wedding, either for money or as a gift to the bride or groom, then checking the background becomes an even more important task. Now, instead of just making sure that the background is not causing a problem, you now need to be looking at the background for photo opportunites. In the church or at the reception, you need to be constantly searching out suitable backgrounds to use for the bride and groom and the bridal party. Look for any opportuntiy to use a sunset, water fountain, garden, staircase or anything that will enhance the photo. You can check the blog in the resource box for a photo of a bride and groom, taken at the base of a staircase in an office building downtown Phoenix AZ. This is an example of spotting a suitable background, and then making sure the bride and groom follow the photographers direction, in order to take some stunning photos that will sell.

This office complex had such a beautiful wooden staircase, that it was an obvious choice for some photos of the bridal party. In this situation, and wherever you possibly can, if the groom is shorter than the bride, make sure you position the couple in such a way that the groom will look taller. Even if you have to use a phone book or a small box. Use whatever you can to make the groom look taller. It may seem silly at the time, but the photos will look much better, you will sell more photos and hence make more money. The bride and groom will also appreciate your efforts to make their photos look their best.

This will also help with advertising your services. People will see the thought and care you put into every picture you take, and they will tell their friends. Word of mouth is always the best form of advertising. And make sure you have plenty of cards with you to promote yourself. People will not want to write down your details, they will want a business card or postcard or flyer.

7 critical steps for good photography

In this post, I will concentrate on just one of the things I have mentioned in previous posts, and that is the Memory Card you use to capture your images.

In the old days, there really was not much to be concerned about when it came to taking photos of family and friends, special events or creative photos, such as landscapes etc. You went to the drug store and bought a roll of film, either 24 or 36 exposures, popped it in the camera, and started firing away. At the end of the roll, you took the film out and returned it to the drug store to be processed. In a day or two, or in more recent times, an hour or two, you came back and picked up all your beautiful prints. These were ready to show everyone who would look at you beautiful new photos. There was not much guess work, you just made a choice on the number of photos you wanted to take, and the speed of the film, whether you were taking pictures outside in bright light, or inside say, at a reception.

In those days, losing a roll of film, either because you misplaced it, or the drug store screwed up on the processing, was not always too big of a deal, as you usually had several more rolls of film with other photos to choose from. But in this digital age, just one memory card can store hundreds of photos, even thousands if you shoot in low resolution mode. So, if you lose a memory card, it can be a really, really big deal. That’s why it is important with digital, to have a special case to store your memory cards, to help avoid losing one.

One of the biggest problems though, is, unlike film, memory cards can be very sensitive to the way they are treated, and hence it is very easy to accidentally lose a lot of photos. In this article I will try to spell out some of the precautions you need to take to avoid problems.

Step 1. Always try to purchase a good quality card, from a camera store if possible. The staff at the camera store will usually always be able to offer good advice and a quality card for your camera. A good quality card can sometimes cost a little more, and I am talking about just a few dollars more, than a cheap budget card from the drug store. Sometimes, the drug store card may be ok, but I think it is always prudent to make sure you have a quality product, one that you can get advice about from an expert, and where you will not have any problems returning the card if you have to for any reason.

Step 2. The first thing you need to do when you purchase a new memory card, is to format the card in your camera. This step is crucial. Digital cameras are not all the same, and the card can cause problems, even if you format the card on your computer, instead of the camera. If the card does not format, or you get errors when the camera tries to format the card, then you need to return it immediately to the store for a replacement. Note that not all cards are compatible with all digital cameras. Most of the low end and even high end compacts, have an upper limit as to the memory size of the card that can be used.

Step 3. Never take the card out of the camera while the camera is still writing the file to the memory card. Often, people will take a photo and then almost immediately take the card out of the camera. This can easily corrupt the card and make it impossible to get the images off the card into the computer. If you need to take the card out after taking a shot, just wait for several seconds to make sure the file has been written completely to that card, I usually suggest about 20-30 seconds. This should ensure that the file is safe and sound on the card.

Step 4. Never take your memory card and put it into another camera without formatting the card on the new camera. This means of course, that you need to back up all the files on the card, then put the card into the other camera and format the card before using. As I mentioned earlier, not all digital cameras are the same, and the way they write the files to the card can be different enough that you will corrupt the card and make it impossible to recover the files you already had on the card.

Step 5. Try to keep the contacts of the memory card protected from the elements and any dirt or grease. If the contacts become oxidized or too dirty to work effectively, then you will not be able to record the photos you think you are taking. This can be very embarrassing later when everyone wants to see the results.

Step 6. Always make sure that the camera batteries are charged enough so that the camera can write the files to the card correctly. If the camera battery dies during the process of writing the file, you will lose the file and possibly all the files on the card at the time of the problem.

Step 7. As a precaution, you can purchase software specifically designed to recover images from memory cards. This software is quite inexpensive, and may come in very handy if ever needed.

I have used many memory cards, but have yet to have a problem with one. I have met other photographers who have had problems, but those problems fell under one of the steps above. I think the most common problems are due to that photographer not formatting the memory cards before each shoot. Always back up the card before any shoot, then format in the camera. This will usually avoid problems or at least allow you to detect a problem before any serious damage is done.

If you are interested in making money with your digital camera, please visit my website for everything you need to start your own photography studio. If you have any questions, you may email me at tomjackson@howtoshootweddings.net

Part or Full Time cash at home, Your Own Photo Business

You’ve probably heard the expression a million times; if you want to make money, a lot of it, you need to be your own boss. So, what do you do. Well, if you own a good digital camera, like a DSLR, then you can make some great part or full time cash taking photographs. If you really enjoy photography, and you like doing the editing on the computer, then you can start your own business.

You own a good digital camera, your friends have told you how good your photography is, the prints you create are appreciated by friends and family, so what is your next step? How about your own photography business. With a little help, you can start your very own business and I can provide a lot of the things you will need, no need to re-invent the wheel.

You’ve been taking photos of friends and family for a number of years now, and everyone makes the comment that you should start your own business. Sounds great, but where do you start. Well, I have created a great eCourse with everything you need to get started. In this article, I will cover just a couple of things that you will need to be aware of. My course concentrates on wedding photography, however, the techniques apply to any type of photography. It’s just that with wedding photography, you have a much better chance of making a good part or full time income.

Let me just say right up front, that you can make a lot of money shooting weddings. Many of today’s top photographers began their careers shooting weddings either for themselves or for a studio. Doing it for yourself of course, means that you get to keep all the money, but you also take on all the responsibility. Please do not take it lightly, as a wedding is a once in a lifetime event. You cannot come to the bride and tell her that you somehow screwed up all her photos, and that you need to redo them. After she gets through killing you, you will realize that you cannot just get a bridal party back together again, with all the outfits, the parents and friends, the minister etc. No, you need to get it right the first time. No do overs.

Please note that as the photographer, you will often be required to act as the wedding coordinator as well, as these days, most brides cannot afford one. And if there is no wedding coordinator, then it is usually the wedding photographer who will make sure everyone is where they should be most of the time. So, my eCourse will help in this aspect also, as it covers the entire event in detail. As the wedding photographer, you need to make sure that the bride and groom follow your directions. Make them aware that it is in their interest to follow your directions because they want a whole lot of great looking photos for their album.

When you are preparing for an event, you need to make sure that all your equipment is ready, and that you have everything you need for the days event. If possible, be sure to have a series of back-ups, a spare camera body, a spare lens and a spare flash in case any of your prime units fails. There is no excuse for the photographer to have to come up to the bride, and try to explain that your camera just broke, and you cannot take any more photos. Again, a death sentence. Your back-up units do not need to be identical to your prime units, but they should be at least close to the same specs. The camera needs to be able to take images at the same resolution as your prime camera, otherwise there will be a noticeable difference in quality of the final prints. The flash unit can be a smaller unit with a slightly lower light output, but if it happens, then this unit will have to do quite a bit of work, so be careful. Make sure that the spare flash is fully charged before taking photos. I have seen a number of photographers get excited about taking some pictures at an event, and they will often just fire away, taking picture after picture, not realizing that the flash is not fully charged for each picture, and so, most of the resulting images will have serious problems, that may not be able to be recovered on the computer. So, make sure that you have good back-up equipment.

If you are ready to take the next step, and start your own photography business, then you will find that the photography wedding course I have designed will get you off to a great start. Everything is in this course, including all the forms you will need. They are provided as a computer file that you can change and edit so you can create your very own designs, with your own information. This alone will help you and your business look very professional, so you can get bookings and start making some good money with your very own photography business.

To more information or sample photos, please visit my website where you will also see some of the many forms included in the course.

16 Bit Printing

If you would like to make money with photography, and your digital camera, then visit my website for more info at www.howtoshootweddings.net


The wonders of modern technology never cease to amaze me. Growing up with a traditional camera and film and understanding the complexities of color film and the magic of color film processing, was indeed a fascinating period. Apple's Aperture 2 and Adobe Photoshop Lightroom 2 supports 16-bit print drivers for Epson and Canon printers, allowing you to produce high-quality output with smoother gradients and better color fidelity, right on the desktop...no darkroom needed.


However, you do need to ensure that you have a consistent 16 bit workflow from the image capture, through to image editing, and finally to the print output. This means that you need to capture your images in the RAW format. It is only with the RAW format that the image will have the required image data to make a difference on the printed output.

Currently, only the Macintosh operating system supports 16 bit printing. This may change in the future, but for now it is Mac only. And of course, you will need to be using the latest versions of Lightroom and Aperture. If you do not shoot in the RAW format, but instead shoot TIFF or JPEG, then you will only be able to capture 8 bit image files. What does that mean?

The mathematical formula for working out the possible number of colors in an image is as follows; for an 8 bit image, this means you are capturing up to 256 possible variations in the brightness of each of the Red, Green and Blue pixels, so you would multiply 256*256*256 for a possible maximum number of colors of 16.8 million. This equates roughly to what the human eye can perceive. However, if we look at 16 bit images, each pixel has a possible brightness value of 65,536 values. So, if we multiply 65,536*65,536*65,536 and get about 280 trillion colors, a little more than what the eye can perceive.

So, will all these extra colors really make a big difference on the final print. It is unlikely that in most situations, that you could really detect that difference, but in prints with lots of gradients, like sunsets with subtle red, blue, orange graduated skies, 16 bit could make a significant difference. This is where the benefit of 16 bit comes into it's own, on subtle gradations or images with large color gamuts.

Which Format? RAW or JPEG.

Adobe's Photoshop Lightroom RAW image editor.

Lots of people ask me this question; which format should I use when taking photos? And the answer is pretty simple; if you are shooting a wedding, or any important event, then you should only be shooting in the RAW format.

Apple's Aperture RAW image editor.

Interested in making money with your photography? Looking to start your own photography studio? Goto www.howtoshootweddings.net for more information on my course.

If you are a keen photographer, and have been shooting lots of photos, and you may have already been asked to shoot a wedding for a friend. The question is, which format to use. Using the RAW format can be more than a little daunting. Most people have never really had anything to do with this format, because the smaller consumer digital cameras generally do not have this option. Most will have JPEG at various resolutions, and some may have a Tiff option, but few have a RAW option. RAW is usually the domain of the DSLR or high end consumer cameras. The other caveat is that most computer software is only designed to process JPEG images. However, when you are shooting something as important as a wedding, then you need the flexibility that the RAW option gives you.

There are many benefits to shooting RAW.
Firstly, ALL the scene information is captured, unlike the JPEG format. Even in the highest resolution setting, JPEG format still is deleting some of the file information in order to allow more images to be captured on the memory card by creating a smaller file. This can make image editing a more difficult process later.
Secondly, the range of manipulations available with RAW image software, is far and away greater than with standard image editors. If you do not shoot in the RAW format, you will lose the ability to be able to use the many RAW specific adjustments available for this format, which can literally be in the hundreds of adjustments.

Two of the most popular RAW programs today, are Apple's Aperture and Adobe's Photoshop Lightroom. Aperture is Macintosh, so if you are a Mac user, like me, then you can use Aperture. Lightroom, on the other hand, is available on both the Mac and the PC. Both are extremely good at editing RAW files, and the latest iterations of these programs are introducing filters as add ons. So they will become even more capable.

Make Money with your Digital Camera shooting weddings

Wedding photography can be a very lucrative part time of full time option. In the United State alone, wedding photography accounts for approx. $5 Billion per year. That's a sizable market. And with some know how and a decent digital camera, you can be a part of this industry. I have designed a course that includes everything you need, including business forms, technical discussions, sample ads and business and even tips on using Adobe Photoshop, Adobe Photoshop Lightroom and Apple's Aperture. You can see more information and order at www.howtoshootweddings.net.

One of the first questions I am asked when shooting with a digital camera (after the "which camera do you use, question), is, what format should I shoot? Tiff, High Res JPEG, RAW etc. And the answer is very simple. RAW! There is NO other option. And you need to make sure that you are using the highest resolution (megapixels) available on your camera.

You should only be using a digital SLR (DSLR) camera, with the most powerful (expensive) flash available for your system. When you shoot a wedding, you will need to use flash for basically every shot you take. Indoors and out, even in bright sunlight. The flash will light dark subjects inside and when you are outside, it will fill in the shadows of your subject, and make the resulting photos look their best.

A very important point to remember when you photograph the bride, is to make sure that there is lots of detail in the brides dress. With digital cameras, the sensor cannot record as wide a range of light to dark as with film, and whites in particular, can be very challenging to record with detail. This is where you need to be able to balance the flash with the available light to get acceptable results. Otherwise, you may have some angry people calling you after the event. And you cannot arrange a do-over for a wedding, it is a one shot deal. So, make sure you do lots of practice before your first real, paying event. A good way to practice is to have you wife/girlfriend/kids dress up in white clothes and take lots of shots and note the settings you need to get detail in the dress, and good skin tones on the brides face.


Whenever possible, set up the kids in the bridal party by themselves. These kinds of photos will sell to the parents, the bride and groom and many other family members, especially the grandparents. Part of your job is to not just take good photos, but to take photos that will sell and keep you in a job and allow you to buy more equipment as you need it. You should always take individual shots of each kid and have the parents help to get them comfortable so you can get some good shots. Always try to choose an interesting background where possible. In order to focus attention on the kids and not the background, I have made a selection around the kids in Adobe Photoshop, and darkened the background a little, so the kids will stand out and be the attention of the photo.